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Sep 3 13

Playing music for Anya’s Friends in Denver

by Steve Sobiech

I’m off to Denver tomorrow to play for a non-profit, Anya’s Friends.  It’s a backyard benefit, one night only, lots of food and drink and music and kids and parents and fun…  All of the money raised goes to an orphanage in Haiti.  Will bring a guitar and Chapman Stick.  Will rock relentlessly.

Sep 3 13

studio addition almost done…

by Steve Sobiech

I’ve almost finished with adding a room to Wisconsin Cheese Studios. It’s one room that can serve several purposes. You can hang out and watch your pals record, or record yourself in the room, or I can quickly convert it to my control room. It’s nice and comfy, not very big, but could handle a drum set or a few people comfortably. Photos are coming soon, as I’m waiting on the glass to come in for the 2ft by 5ft window. The window, room treatment and some painting is all that’s left to do! It’s exciting, and amazing how many details there are to finish. Photos soon! SDG

Jul 8 13

The hardest thing in the world is to just sit and do it…

by Steve Sobiech

In my experience, that is the hardest job of all.  You have to sit still, and do what you’re supposed to do.  Right now, I should be transcribing a tune with lyrics I wrote a year ago.  It’s time to put it in Sibelius, make a commitment to the notes and the words and the arrangement, get the singer lined up (it needs someone good, and that isn’t me), and get this one done.  But instead, I looked at Yahoo news, Craigslist, and am writing this new post.  Gotta go!

Jun 20 13

Having a plan

by Steve Sobiech

I have a friend whose dad would always say, “You have to have a plan”.

Kind of like a book I’ve been reading lately by Steven Stockman, “How to shoot video that doesn’t suck”.

In one chapter he talks about winging it – if you wing it, it will suck.  You can go into making a movie without a script, but don’t expect anything good to come out of making a movie without a plan.  Recording is the same.  Maybe you can substitute the word prepare for plan.  The more you prepare, the better the recording will be.

Another friend of mine, Peter Kienle, says that recording is like looking at yourself in a really big mirror, really close, with really bright lights.  It’s not always pretty, so you need to make sure you are ready for it.  Ready means practicing your parts, new guitar strings, guitar/any other instrument in good playable shape, your ideas for your songs are worked out as well as possible,  singing is in tune, arrangements are worked out or planned…  Clients rarely get better after a couple takes, it’s almost always the first or second take that is the best.

On the other hand, if it’s your first time recording, give yourself a break.  It’s hard enough to do without beating yourself up about things you didn’t do as well as planned.  Even Mozart sucked in the beginning, I’m sure of that.  I’m sure he had bad gigs every now and then.  He just covered it with a good stage show, poofy shirts and bad wigs.  He was a one man classical hair band from the 1700’s.

So what’s your plan?
End of sermon #437

Jun 20 13

email to client that’s feeling down about a project…

by Steve Sobiech

Below is something I wrote to a client in the thick of a project.  He wrote to me, he’s feeling down about how the songs sound, it seemed to me like he was frustrated with the progress, kind of thinking about bagging it all,  and here’s what I wrote back to him.   Fortunately, it was perceived by the client that it was a positive message, that I was on his side, that the progress of a project is often hard to guage when you’re in the thick of it.

 

Dear Client (name removed for decency sake),
The mixes are rough, there’s a lot that can still happen to the songs, and, like you said, you may be too close to it.
Your best bet, IMHO, is to record basic tracks as well as you can, arrange as well as you can, mix as well as you can, master it, done, move on.  Next project.
The problem is, it’s your song(s), there is emotional investment, time, energy, money, and, mistakes, because no one gets it perfect.  No one.  I like to listen to the U2 cd, “How to dismantle an atomic bomb”, there are mistakes all through it, but you don’t notice or care, it has the energy and emotion to pull it through, and that is the only thing the public will hear or feel.  The sound of the ukelele won’t matter, the mix of the drums wont matter, the fullness won’t matter.
This is your first time doing this, don’t demand perfection the first time, because you won’t get it, it’s too much to demand of yourself.  Your next set of tunes will be better, the ones after that even better, etc…   One of my favorite quotes is a journalist raving to Dizzy Gillespie how great he was, how easy he made it look.  Dizzy says to him, says, “man, ain’t nothin easy”.  It all takes lots of work, time, and everyone struggles at the beginning, and continues to struggle.  If you expect perfection from yourself, you’ve tied your own hands, while asking for a hand.
I’m not saying to not keep aiming for perfection, but give yourself a break, this is you heart and soul you’re putting out there, making music is an enormously wide, nebulous apprenticeship that takes a mountain of time and work.  You need to allow yourself slack, everything is fine, you’ve got 3 great tunes, the core of these are good and sound, the rest is learning.
Talk to you soon,
Steve
I wrote this email as much for me as for anyone else.  We are always our own worst critics, and there’s no need for it.  Ok, there is a need to better yourself, to self-check, to get help, to make sure you’re doing the best you can.  Maybe the lesson here is to not hit yourself.  It’s hard enough to rip your heart out of your body and display it to complete strangers, don’t make it worse by beating yourself with a bloody, bodyless heart.  That’s gross.  Give yourself a break.  After you’ve made the commitment to record your music, the rest will somehow fall into place.
End of sermon #245.
May 30 13

Recording your soul, and other easy things to do in ridiculously short amounts of time…

by Steve Sobiech

Don’t believe anyone.  Nothing well done was every easy.  In order to make a recording, you have to commit, you have to practice, you have to find the guy or gal that will accurately record your heart wrenched from your chest, then you have to perform as well as you expect of yourself.  There are many steps in all this where failure may seem probable.  But cheer up, after you commit yourself to recording your music, the things that are coming from your soul and out of your mouth and guitar or piano or drums or violin, or kazoo, (ok, maybe nothing soul-related to kazoos), it will happen.  It’s time, it’s effort, it’s money, it’s worth it, because anything worth doing will be hard.  But your commitment to actually doing something with those notes floating around in your soul is what will carry you through the recording process.

Feb 15 13

Hello world!

by astro

It’s exciting to get Wisconsin Cheese Studios up and running.  Our current clients include singer/songwriters, classical guitar players and classical piano players.  We are also preparing to score the music for 2 short films.

Feel free to contact Steve about rates, availability, about your project and dreams.

For a short time, Wisconsin Cheese is offering a special for singer/songwriters, $40 per song, from start to finish.  Please email Steve for more info, and to schedule a meeting.